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Joined 1 year ago
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Cake day: June 12th, 2023






  • by adding features you can only get if you are on their platform. Their goal is to make most people prefer the Meta version of the fediverse

    Why is this a bad thing? This is the system working as intended: a company forced to make a service people want, rather than just taking users for granted. You resist enshittification because you’re not being held hostage through access to content, so the company is forced to make the service good. And this will attract other companies to produce competing services.

    And besides, most people already prefer the Meta version they already have the user advantage. There’s already way more users locked in their services than there is on the rest of the Fediverse.


  • I am optimistic about Meta’s investment in the Fediverse. If you don’t believe the Fediverse can survive the embrace of big tech, I don’t think you believe in it at all. You don’t want an open web, you just want to be the one in control. The goal of a decentralized internet - in my opinion - is to separate content from service. And if you believe that is the future, then you have to accept that companies are going to build new services that will try to monetize that content. But the beauty of that paradigm is you get to choose the service that works best for you without sacrificing access to the people or media you’re interested in. And really, it’s not much different from say, Google, being able to monetize Chrome because it can access your website. I mean yeah, but that’s kind of the point?






  • bogduggtoAsklemmy@lemmy.mlMinimizing instance defederation nowEnglish
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    10 months ago
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    I think a perfectly acceptable line to draw is “Is it reasonable to expect a large majority of the people on this instance would want this other instance blocked? If the answer is yes, block them. If somebody has a problem with that, move to a different instance.

    I don’t really understand what the problem is.


  • bogduggtoAsk Lemmy@lemmy.worldWhat is your unpopular flim opinionEnglish
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    10 months ago
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    Gonna try to phrase this an inflammatory way:

    People who like bad movies have been conditioned by consumerism to not appreciate art. They believe spectacle, humour, and a tight plot are ‘good enough’, and they don’t value thoughtfulness, novelty, beauty, or abrasiveness nearly enough. Film is more than a way to fill time and have fun. Film is more than an explosion, a laugh, and a happy ending.

    On an unrelated note: Mad Max: Fury Road is one of my favourite movies.



  • I played it - and if it was truly only made by two people is quite impressive - but it’s just alright. The world is very cool, and is structured around multiple levels of a tower each with their own language that you need to learn to progress. My main issue with the game is that the differences between these languages, and the puzzles built around them, aren’t particularly interesting or deep or varied. There are a few gems, but overall it’s much closer to a traditional adventure game than you might expect on first glance.

    That said, the art and world design are very cool.

    Edit: As an aside, it’s worth noting that the Steam Reviews metric is a tad misleading in a similar way to Rotten Tomatoes, in that it only gauges ratio of positive reviews, over what those reviews are actually saying. A universal consensus of a game being a 7/10 (if we assume 7/10 is positive) will appear “better” than a game where 99% of people believe it is a 10/10, but 1% think it sucks. It’s good at predicting whether you will like it, it is bad at predicting how much.





  • I think it’s better to reframe the question as “Are there downsides to Valve’s PC market dominance? or “How is Steam’s 30% cut different from Xbox or Playstation?

    For the latter: it’s worth noting that Microsoft and Sony sell their hardware at a loss, and make up the difference through software, so there are obvious developer benefits to the 70-30 split. For Steam, the equivalent value-add for developers is only the platform itself, and I would wager for many of those developers the biggest reason for selling on Steam is not the feature set - though obviously useful - but because that’s where the users are.

    So, users get a feature-rich distribution platform, and developers (and by extension users) pay a tax to access those users. So the question is, how fair is that tax, and what effect does that tax have on the games that get made? Your view on that is going to depend on what you want from Steam, but more relevant I think is how much Steam costs to operate. How much of that 30% cut feeds back into Steam? My guess is not much; though I could be wrong.

    But anyway, let’s imagine you took away half the 30% cut. Where does that money go? Well, one of two places: either your pocket, or the developers (or publishers) pocket (depending on how the change affects pricing). The benefits to your pocket are obvious, but what if developers just charge the same price? Well, as far as I’m aware, a lot of games are just not profitable - I read somewhere that for every 10 games, 7 fail, 2 break even, and 1 is a huge success - so my personal view is that this is an industry where developers need all the help they can get. If that extra 15% helps them stay afloat long enough to put out the next thing without selling their soul to Microsoft or Sony or whoever is buying up companies these days, and Steam isn’t severely negatively impacted, I’d call that a win.

    But of course, that won’t happen, because Steam has no reason to change. That’s where the users are, and they are fine with the status quo.